Since you asked me to bring my new objections to the abolitionist program from Nydra's mental diversity thread to this one, I've obliged:
Abolitionist wrote, "At the same time - is it ethical to choose to
create beings that suffer in order to serve the percieved needs of
society? (not that this is usually the motivation to procreate IMO)"
That's
not really the way I'd put it. I'd ask, "Is it ethical to remove
individual emotional freedom to serve some grand goal?" Or even better,
I'd ask, "How do we ensure emotional healthiness and robustness and not
merely emotional restriction?" Or, "How do we cure emotional
pathologies, like depression and mania?" Or best of all, "How do we
avoid oversimplification when we define what is emotionally
pathological?"
You see, what I'm fearful of creating is an
emotional monoculture of shiny, happy people. Evolution, even the
Lamarkian evolution of cultural change or scientific advances, shows us
that monocultures tend to be unstable. Diversity is the best way to
face change robustly. If one solution fails there are dozens of others
to fall back on. If this robustness in the face of change means there has to be a little unavoidable suffering, well, that's the breaks. Stasis is unhealthy.
Have you seen the movie Equilibrium?
That would be an example of the abolitionist program badly applied. I'm
not saying that's a certainty. I'm just saying that our enthusiasm to
abolish all forms of suffering might lead to that if we are not careful.
Abolitionist
wrote, "... I think that empathy is ultimately a dead end [because]...
we'll need beings that are able to keep in mind a larger ethical
picture than their locus."
But I don't see how that can ever be
avoidable. I think that is a requirement there by definition. The
eternal tension between the group and the individual will always be
there. We are neither ants (Where society not only matters more than
the individual, society is the individual.) nor reptiles (Where
there is no society just highly territorial individuals that
occasionally mate and then abandon clutches of eggs.).
I'd argue
that the eternal tension is what generates a lot cultural novelty.
Focus too strongly one way or the other and creativity dies.